Cambridge Opera Journal

Cambridge Opera Journal. Latin American research on opera has focused mostly on singers and performances rather than on the workings of the opera houses and the operatic scene This article discusses the rationale behind the development of the Teatro Victoria project some of the strategies underpinning its success and the notion of this particular opera house as a projection of certain ideas of ‘Italian culture.

Cambridge Opera Journal Editorial Policy Cambridge Opera Journal is published three times a year in March July and November The editors are Sarah Hibberd (University of Bristol) and Ellen Lockhart (University of Toronto) Manuscript Submission Cambridge Opera Journal has moved to online submissions Papers should be submitted via the.

Cambridge Opera Journal Cambridge Core

This page lists the top ten most read articles for this journal based on the number of full text views and downloads recorded on Cambridge Core over the last 30 days This list is updated on a daily basis Contents Opera Scenes in Video Games Hitmen Divas and Wagner’s Werewolves Tim Summers.

Cambridge Opera Journal Cambridge University Press

Containing lively and provocative essays Cambridge Opera Journal has a wellestablished reputation for publishing firstrate scholarship on opera in all its manifestations The Journal not only contains material on all aspects of the European canon it has now widened its scope to publish highquality essays on American opera and musical theatre on nonWestern music theatres on contemporary Cambridge Opera Journal ISSN 09545867 (Print) 14740621 Subscribe to Cambridge Opera Journal To subscribe to this Cambridge Opera Journal Bookmark added Go to My account to Opera is rich in works that construct visions of the Cambridge Opera Journal Professor Sarah Hibberd Dr Ellen Cambridge Opera Journal Bookmark added Go to My account to.